Parade Against Patriarchy
Dec
6
2:00 PM14:00

Parade Against Patriarchy

December 1, 2017, Miami, FL.--Artist Michele Pred will organize the first Parade Against Patriarchy in South Beach, Florida during Miami Art Week 2017. The live, moving art procession will commence at 2pm in an undisclosed location on the morning of December 6th. Interested parties can check in for the exact location information on Michele Pred’s website and social media channels at approximately 8am on December 6th.

www.michelepred.com
@MichelePred on Instagram and Twitter

Parade Against Patriarchy’s line-up will include a curated collection of artists’ projects and performances, live music and will be grand marshalled by a drag queen and two dancing majorettes. Fellow procession artists include  Michele Pred, Ventiko, Michelle Hartney, Krista Suh (creator of the Pussyhat Project), Bud Snow, Melanie Olivia, Ann Lewis, Yvette Molina, Alessandra Mondolfi, Lisette Morales, Shireen Liane, Laurel Garcia Colvin and Jean Chadbourne.
  
Parade Against Patriarchy was conceived by Pred as an artist-curated project to offer visual amplification to the already significant momentum and energy of the #MeToo movement and associated efforts to reform our patriarchal society. The intersectional performance seeks to reflect the notions of shared and collective experiences within this current moment by bringing together voices and expressions of artists advocating reflection, justice and change. The unique temperament of a parade provides the opportunity to inject a sense of joy and celebration into the hard work of resistance.
  
Hashtags

#ParadeAgainstPatriarchy
#PAPSmear
#PeacefulAssembly

Participating Artist Information

Michele Pred  Michele is a Swedish-American conceptual artist, her work uncovers the cultural and political meaning behind everyday objects with a particular focus on themes like equal pay, reproductive rights and personal security. She is the curator and organizer of the Parade Against Patriarchy. She will be carrying her Feminist Riot Shield, with the words My Body My Business painted on with nail polish. www.michelepred.com

Krista Suh is the creator of the Pussyhat Project, and is a Hollywood screenwriter and artist. www.kristasuh.com

Ann Lewis is a multidisciplinary activist artist using painting, installation, and participatory performance to explore themes related to American identity, power structures, and justice. White Lies is a chrono-reactive work that documents every false statement by Donald Trump during his first year in office, with an average of 4 false statements a day this work carries over 10 full layers of ink on an American flag. www.annlew.is

Michelle Hartney is a Chicago based artist whose work addresses a broad range of topics, from women’s health issues, to the concept of heroes, love, and the cosmos. The Weight of Words is a performance piece about Donald Trump’s long history of objectifying women.  Handmade ankle weights were paired with a metal plaque containing a misogynistic statement attributed to Trump.  Each weight was stuffed with shredded paper that contained the original source of Trump's statement. http://www.michellehartney.com

Ventiko is a critically acclaimed conceptual artist working in photography, performative experiences and social practice. Her work focuses on the (re)construction of moments not in time but in thought to express social positions on sexuality, persona and the state of the modern woman. http://www.ventiko.com

Lisette Morales is a feminist, an interdisciplinary artist, and social justice activist based in Florida. In 2014 she started “Love Bleeding Lies” a multi media art project involving photography, paintings, illustrations, a short art film, and performance art about breaking away from abuse and reconnecting with her inner creative and feminist muse. https://www.instagram.com/lisette_morales/

Bud Snow is a Mural Painter, Public Artist, and Photographer from Vancouver BC, she is based in Oakland, California. www.doyouknowbudsnow.net

Alessandra Mondolfi is an artist, and designer whose creative practice addresses both environmental and social issues in response to the current political climate. Her resistance actions have taken many forms and have explored the concept of “NO HATE” in numerous ways since Trump’s inauguration, the inflatable is one of her “Props for Protest” with which she performs public walks. @AlessandraMondolfi on Instagram

Melanie Oliva is an artist, activist and creative director who founded artist collectives Inspiration Pollination and The Artful Activist and co-organized a nationwide Artist March. Her Fists of all genders, ethnicities, sexual preferences, disabilities, classes and ages spin to smash the patriarchy via intersectional feminism. www.melanieoliva.com

Yvette Molina's new work sits at the intersection of folklore, faith, and science. She is currently creating a new pantheon of hybrid saints for our modern age. http://www.yvettemolina.com

Jean Chadbourne is the founder of the Growlery Artist residency program in San Francisco and is an avid supporter of the arts. http://www.thegrowlery.org/about/

For more information and images of related artworks, please contact Danielle Smith:
danielle@frameworksf.com
415-860-0767

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Post 11/9 The New Now
Nov
9
6:00 PM18:00

Post 11/9 The New Now

11/9 was the morning after the 2016 US Presidential Election and like 9/11, it was a flashpoint.

We tried “wait and see”. [NOW] is a time of alternative fact, alternative right, alternative left, alternative narrative, alternative government, and alternative realities. [NOW] is a time of hacked elections, expanded corruption, expanded wars, Rogue NASA, Rogue EPA, banned peoples, and stripped rights. We have been ignoring the real threats and fighting with each other. 

This is our world less than one year after 11/9 dawned. 

In light of what we know now, what do we do [NOW]? 

Are we at rest?

Or are we like a “Slingshot” pulling back to ready itself?

The [Now] Collective presents the first showing of its interactive and international exhibition at the Connect Gallery hosted by Thēarē Group. Post 11/9 The New Now [Now] will run from November 9th 2017 December 10th, 2017 with an opening reception Thursday November 9th from 6:00 - 10:00 p.m, with community events and reading throughout the month.

In times of struggle, art functions as material imaginings of transformed realities writ large on the public world. Art provides the visual and verbal language to understand our role in conflicts, both micro and macro, and invites generative resolutions to present dangers.
The work in this yearlong collaborative exhibition is a statement of fierce hope that transcends the contrived scarcity of the current world image and moves beyond ugliness and violence towards beautiful abstractions that are reductive, political, complex, and personal.
The exhibition will include collaborative events that dynamically engage visitors as well as create unique dialogue between participating artists, writers, scientists, politicians, and organizations in order to actively nurture viable change in the social and political landscape of today’s world.
Post 11/9 The New Now [Now] offers a chance to move beyond apathy and anger into a place of articulated dreams, elegant metamorphoses, and unconventional power. This show is the result of galvanized voices who refuse to be at rest, and instead offer their art as momentum for a newly emerging present.

Organizers:

Co-Founder: Asya Abdrahman

Co-Founder: Nellie King Solomon

Program Coordinator: Autumn Elizabeth

Curatorial Assistance: Jeanette Alanis

ARTISTS:

Matt Gonzalez
Libby Black
Tiffany Shlain
Wesaam Al-Badry
Heather Wilcoxon
Rebecca Solnit
Michele Pred
Paul Miller (DJ Spooky)
Sadie Woods
Yvette Weijergang
Tatiana Rivas
Barry McGee
September Williams M.D.
Doc North
DDP Decentralized Dance Party
Urban UpStarts
Barbara Stauffacher
Solomon Liz Walsh
Michelle Hartney
N.I.C.E. Collective
Black Betty’s Back
Glen Ellis M.P.H.
Nancy Emilce Carvajal Medina

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RESIST! Make America Love Again/ The Weight of Words
Sep
17
11:00 AM11:00

RESIST! Make America Love Again/ The Weight of Words

The Weight of Words is an interactive performance piece by Michelle Hartney that addresses President Trump’s use of divisive, hate-filled language. Paper shredders will be installed at the Comfort Station, along with stacks of paper that contain sexist, racist, fascist, and homophobic Trump tweets and/or quotes. Visitors are invited to shred Trump’s words with the shredders, both as an act of catharsis and activism. The shredded paper will be used to stuff handmade ankle weights that have individual metal placards containing Trump's words, symbolizing the collective weight his compassionless rhetoric has had on the world.

 

During the exhibition a postcard writing station will be set up so viewers can write to both the White House and to their representatives.

 

Make America Love Again stickers will be given out free of charge throughout the duration of the performance.

 

The Paulina Hollers' Jim Becker and Lea Tshilds will play a full set of Woody Guthrie tunes during the show. They are writing music to go along with the lyrics of a recently discovered song Guthrie wrote in the 1950's about his landlord, Donald Trump Sr., condemning his racist ways:

 

"I suppose that Old Man Trump knows just how much racial hate

He stirred up in that bloodpot of human hearts

When he drawed that color line...

...Beach Haven ain't my home!

No, I just can't pay this rent!

My money's down the drain,

And my soul is badly bent!

Beach Haven is Trump’s Tower

Where no black folks come to roam,

No, no, Old Man Trump!

Old Beach Haven ain't my home!"

 

In the 1970's the justice department sued our current president and his father for discrimination against African Americans for violating the Fair Housing Act of 1968 in 39 of their buildings. This song is particularly relevant today after Trump's divisive statements following the violence that erupted during the white supremacist rally in Charleston.

 

The Paulina Hollers will also perform another Guthrie song that is sadly quite pertinent today given Trump's decision to end DACA. "Plane Wreck at Los Gatos" (also known as "Deportee") is a tune Guthrie wrote about a plane crash that killed 28 Mexican agriculture laborers being deported back to Mexico. The remains of the four crewmembers that died were returned to their families, but the 28 laborers were buried in a mass grave.

 

"Some of us are illegal, and some are not wanted,

Our work contract's out and we have to move on;

Six hundred miles to that Mexican border,

They chase us like outlaws, like rustlers, like thieves.

 

We died in your hills, we died in your deserts,

We died in your valleys and died on your plains.

We died 'neath your trees and we died in your bushes,

Both sides of the river, we died just the same."

 

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The Virtue of the Vicious
Sep
10
1:00 PM13:00

The Virtue of the Vicious

Virtue of the Vicious presents an examination of the current political climate from the perspective of eight contemporary artists. Curated by Hyde Park Art Center’s Director of Exhibitions & Residency Programs Allison Peters Quinn, the exhibition features photography, sculpture, painting and video by Paul Stephen Benjamin, Kevin Blake, Jasmine Clark, Eric J. Garcia in collaboration with Luis Mayorga, Michelle Hartney, Jay Turner Frey Seawell and El Coyote Cojo (Emilio Rojas and Adela Goldbard). Patriotism manifests itself in the American landscape and culture in obvious and covert ways. Artists participating in the exhibition reconsider the pride, loyalty, ownership, discrimination, and fierceness that simultaneously characterize this conflicted allegiance in the current political climate through their artwork. 

Assessing the nation’s moral compass through visual clues in the landscape, cityscape, media imagery and historical anecdotes, artists evoke a range of emotions. The hopeful “Make American Love Again” campaign by artist Michelle Hartney quietly encourages compassion as a patriotic exercise, while an installation by the El Coyote Cojo collaborative illustrates the uncomfortable historical thread of the popular past time baseball, creating a metaphor for Mexican-American experience of loss and negation of identity. 

In his photographs, Jay Turner Frey Seawell frames Washington DC’s national monuments, architecture and government buildings, some in disrepair, as symbols for the relationship between citizens and the government. Eric J. Garcia’s graphic animation and sculpture criticize America’s culture of violence using the satirical tradition of political cartoons. For the exhibition, Garcia works with Luis Mayorga to create a new large scale animation, illustrating filter bubbles and distortive reporting in the news media. The title of the exhibition, taken from a quote attributed to Oscar Wilde, alludes to the complicated emotions associated with loving and supporting one’s country while not being proud of its’ actions.

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